Capsule reviews of theatrical movies available now for streaming or scheduled for broadcast on network or cable television as well as notes on TV programming for the same week.

Lady of letters Gertrude Stein once famously observed of Oakland, Calif., the city in which she was raised, “There is no there there.” As it turns out, there’s not much there to the drama “Here” (TriStar), either.

Considered purely from an artistic viewpoint, the lavish musical “Wicked” (Universal) represents a confluence of the best both Broadway and Hollywood have to offer. On a moral level, however, the film’s content, while largely free of overtly problematic material, nonetheless demands careful assessment.

Award-winning filmmaker Martin Scorsese is debuting his latest work on Fox Nation: A new docudrama exploring the lives of the saints.

The attempt to put Santa Claus in the middle of a lot of frenetic brawling and then wrap the whole thing up with a climactic sleigh chase leads to a hopelessly unbalanced tone in this ill-conceived holiday offering.

Co-writers and directors Scott Beck and Bryan Woods’ chiller “Heretic” (A24) probes the nature of faith.

Capsule reviews of theatrical movies available now for streaming or scheduled for broadcast on network or cable television as well as notes on TV programming for the same week.

Gentle and family-oriented, “The Best Christmas Pageant Ever” (Lionsgate) offers top-flight holiday entertainment for a wide range of age groups. In adapting author Barbara Robinson’s 1972 children’s novel, helmer Dallas Jenkins blends wry humor and touching drama while also successfully conveying some valuable insights.

Designed to present a portion of the Gospel narrative to fans of mixed martial arts fighting and heavy metal music, the biblical drama “The Carpenter” (Purdie) adds a whole new meaning to the term muscular Christianity.

A trilogy of Marvel Comics adaptations that launched in 2018 comes to a dull close with “Venom: The Last Dance” (Columbia). Hobbled by the apparent exhaustion of the franchise’s trademark wit, writer-director Kelly Marcel’s wrap-up feels less like a waltz out the door than a stagger to the finish line.